Freer Percussion products are well known around the world for being the most unique and creative designs, materials and covering techniques. It’s our goals to have FP remain first in its class and a clear leader in the orchestral percussion market.
This unique hybrid snare stick which consists of a hollow carbon fiber tube for the center portion of the stick, joined with a hornwood™ front shoulder/tip, and hornwood™ butt end. The result, is a revolutionary new drum stick with nearly 100% more rebound than average wood stick.
Patent Pending. The balance and feel is something like you’ve never experienced before. This makes rolling much easier than you’ve ever imagined and as some professionals say “I feel like I’m cheating!” Regardless of your roll dynamic from a super saturated soft roll to a FFF triple bounce roll, these make it all easier to execute. The sound of the stick produces more instant drum sound and less sound of the stick itself; this, results in your sound speaking and projecting faster than ever. Not designed for drum set playing or marching snare, but more than tough enough for playing in an orchestra as they’re designed for. Take care of these and they’ll last about ten years depending on how much use they get. Recommended for all orchestral playing, concert band playing and ensemble work. A true go to general stick that can do almost anything.
*Normal warranty for this model does not apply in cases of abuse/damage caused by drum set or marching snare use.
Classic signature Freer shape with slight taper in back and round ball bead. Ultra select hickory, precision matched, pitched and weighed. All around general stick perfect for anything and my daily "go to" stick in the Cleveland Orchestra. Effortless to roll with and perfect size bead to enable a super wide dynamic range.
The new medium orchestral stick was conceived and designed to be an in between model to bridge the gap between my general orchestral and light orchestral. The length is right in between and so is the weight and tip of the stick. The shoulder is elongated just enough that the response feels good at any dynamic. Our Hornwood™ is very dense and hard and adds a couple grams of weight as well. The feel is something like rosewood or ebony but without the excessive vibration and low pitch that come with those woods. It is also extremely durable and will likely last you a lifetime if cared for properly. This makes it a perfect stick for Delecluse etudes and other concert style etudes where you have extremes of dynamics and articulation. Excellent choice for many excerpts too such as Capriccio Espagnol and Nielsen Clarinet Concerto for example.
New this year is a hybrid snare stick which consists of a hollow carbon fiber tube for the center portion of the stick, joined with a hornwood™ front shoulder and butt end, and a black nylon tip. Shorter and slightly lighter than SDH1, with a black nylon tip that is 50% smaller. Extremely articulate with incredibly enhanced rebound characteristics.
The Hornwood™ light orchestral retains it’s shape from the tip back however I have deliberately chosen to eliminate the taper in the back. This increases the back weight feel of the stick just enough to help it rebound quicker which you can really feel in playing doubles such as 4 stroke ruffs in Lt. Kije and 7’s in Scheherezade. By making this model out of Hornwood™ I’m also able to increase the weight of the stick without increasing size and bulk. Our Hornwood™ is very dense and hard and adds a couple grams of weight as well. The feel is something like rosewood or ebony but without the excessive vibration and low pitch that come with those woods. It is also extremely durable and will likely last you a lifetime if cared for properly. I feel this is the absolute best version of this stick I have come up with to date. Really a perfect stick for ANY soft playing that requires clarity